My arbitrary definition of a feature-length film—no less than 45 minutes—was derived specifically from Sherlock Jr.'s length, as noted in Leonard Maltin's Movie Guide; it's the shortest film I found listed there, so that's where I drew my line. But the reflexive ending, with our hero repeatedly consulting onscreen lovers for tips on how to woo his own paramour, ties a satisfying life vs. art bow onto the whole thing. Which one most deserves a place on that list? While Keaton has fudged the true cost of the chocolates, the second suitor Crane steals a watch belonging to the father, pawning it for $4 and buys the more expensive box of chocolates. "Sherlock Jr." entered the public domain in January 2020, allowing a wider audience a better chance to discover this incredible innovative director and actor from silent motion pictures through this fantastic offering. I finally admitted defeat and looked it up, but confess that I still have trouble mentally picturing what happens, even after reading a detailed description. David Stratton mentions how Rene Clair compared the film to Luigi Pirandello’s play "Six Characters in Search of an Author" in its metafictional commentary on character internal wishes within an exploration of cinema’s perceived realism. We understand why he wants to impress the girl with a sign that he has a solid income, for she lives in a beautiful family home owned by her wealthy father (played by Buster Keaton’s father Joe). So I had a bit of a crazy idea. It would be a mistake to engage with a silent movie without the non-diegetic score unless you are a battle-hardened viewer of the medium. 96. This film is nearly 100 years old. The film’s inspired plot device begins once Keaton implements a superimposition technique whereby the spirit of Keaton’s character appears to exit the body of the projectionist asleep on a stool in his booth, and we are astonished to see two images of the actor within the same shot. 250 favorite films from this awesome cinema community. 300 films watched. In other movies from the era there is a tendency for one character to avoid saying something important to another character that would nullify the entire narrative, but on this occasion the plot respects its character’s intelligence. There's no cut when Keaton leaps through a display case and a human being's torso and a wooden fence, though. Jon uses Letterboxd to share film reviews and lists. When he gifts the chocolates he specifically turns it over to try and draw her attention to the price he paid. Made by fans in Auckland, New Zealand. Directed by Buster Keaton. Keaton’s other great love is his desire to become a detective, and in the first shot he is seen devouring a book outlining the key criteria as to how one can become a great detective (and he is wearing a fake moustache ti indirectly preempt Crane’s first sighting). 404 films watched. In another bewilderingly elaborate vaudeville feat of trickery (not a cinematic ruse), he dives into Gillette’s outstretched arms through a tray and ostensibly seems to vanish into his partner’s stomach. The door opens to this mansion announcing Keaton’s arrival in the movie/dream and here he enters with clean white fitted gloves, a dapper outfit and top hat, poised and elegant with a professional swagger way that defies his amateur sleuth alter-ego. 91. His deadpan humour was not dead on arrival because of those compellingly alive optics ensnaring the viewer’s sense of identifying with the human being and crossing over into the movie world he created. I refer once more to Murray’s critique: ‘Every bad thing that happens to the projectionist occurs in the space of a cut, and serves to keep him trapped inside the box. After this disappointment Keaton continues to read down the list and takes the fifth instruction to heart: shadow your man closely. In "Sherlock Jr." Keaton plays a movie projectionist who has two loves away from the job of operating motion pictures to pay his bills. 461 films watched. Or when he descends from a railroad crossing gate and is deposited in the back of a moving vehicle on the road with effortless efficiency. But maybe it was akin to Sigourney Weaver nothin'-but-netting that no-look over-the-shoulder half-court shot in Alien Resurrection. The understated facial reaction will remind viewers of an older Bill Murray’s stoic response to external circumstances, although few stunt doubles would have been willing to perform such a set piece. As amazing as these movie/dream detective events are, the best sequence as I mentioned occurs on the actual periphery of the two worlds colliding. He grabs hold of a water pipe as the train passes below his feet and is powerfully washed to the ground. Letterboxd's top 100 films list as of 1/30/2020. The entire Heimat project (3 series of films and an independent theatrical spin-off film) are worth watching. (My ancient Kino DVD—a twofer with Our Hospitality—lists its runtime as 44 minutes.) 2020. Rewatched 2020. 98. What if I took the official "1001 Movies You Must See Before You Die" list and combined it with Letterboxd's 1001 Movies You Must See Before You Die list? For all the titles in my great movies collection: letterboxd.com/davidwallace/list/great-movies-collection/. Sherlock Jr. (1924) cast and crew credits, including actors, actresses, directors, writers and more. As Murray describes the stinging joke scenario’s appeal through the realisation that ‘all the steps elided in editing can’t be shown on screen, no matter where Keaton sets the camera.’ That was true for a movie made in 1924 and almost one hundred years later it is still a risky taboo in a family feature film. The genius of the film is how it draws us into this parallel narrative so deeply that we begin to forget that this is a dream, and even that it is a movie being watched by an audience because it so seamlessly ignites our full awareness with masterful sequences, such as the billiards table segment in which Sherlock dexterously avoids all the villain’s scheming traps. How many of all of those films have you seen? Instead of being chosen by film experts, the Letterboxd community voted on various movies to represent must sees and this was the result. Dario uses Letterboxd to share film reviews and lists. Comedies, Dramas, action/adventure, mysteries, superheros; I watch all genres. Like reality repeating itself in a nightmare, once again it is Crane who pushes him back out of the frame (and her life) to the other side of the screen - a sure sign that only one of these men can reside in this picture without disruption to Crane’s characters villainous intentions. Bio: I … In the dream Keaton is joined by his theatre manager now known as Gillette (in a homage to the first actor who portrayed Sherlock Holmes on film), who also has the innate capacity to do very implausible actions outside of a dream like his sleuth partner. We would expect commotion from spectators witnessing an individual dash down the aisle and jump over the piano, never mind penetrating the silver screen. Keaton was a veteran of the vaudeville life from a very young age, where I learn that his father threw him around from the age of three, and it was in these formative acts that Keaton understood how the live audience would be more inclined to laugh at his acrobatic and gymnastic endeavours when he finished with a neutral expression on his visage rather than smiling at the achievement. Film data from TMDb. According to Buster Keaton the idea for his "Sherlock Jr." was anchored in a desire to capture the impression of a dream on celluloid, by blurring the distinctions between reality and fiction. Sherlock, Jr., 1924 - ★★★★½ Source: Letterboxd - Thijs Meuwese Published on 2021-01-01 The Cameraman, 1928 - ★★★★½ Favorites: The Princess Bride (1987), Sherlock, Jr. (1924), One Flew Over the Cuckoo's Nest (1975), Spirited Away (2001). It was achieved through the power of suggestion, for Keaton had a stage built to mirror the movie’s location and give the illusion of the character somehow stepping through the screen. The Lord of the Rings: The Two Towers (2002) Rotten Tomatoes® 96%. (The accomplice walking away afterwards—with no cut that I could discern in this instance—is the sticking point.) 19, 92. Keaton directed further reels and intended "Sherlock Jr." to be much longer than its final edited version, and he had full directorial autonomy to decide how best to shape his films as he did for all his art during the incredible output of the 1920s. Film profile for Buster Keaton, Director and actor, born 4 October 1895. You can see its influence in much later great movies, where characters dream of a perfect cinematic alternative world to live and breathe in to avoid the brutal horrors and disappointments of the cruel real world where they envisage themselves as self-loathing failures. I'm assuming that ball was glued to the table. Bio: I love movies a lot, just call me MOVIEHOLIC. Dr. Strangelove or: How I Learned To Stop Worrying And Love The Bomb The Stoneman family finds its friendship with the Camerons affected by the Civil War, both fighting in opposite armies. Army of Shadows. "Sherlock Jr." is one of his best features. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Watched Life... is a paradise to what we fear of death. Letterboxd - Top 250 Movies - Page 2 show list info. I sense his films likely find as large (or larger) group of admirers today than the other silent clowns who were blessed with more fans and paying patrons in their heyday and on a hypothetical Mount Rushmore of silent clowns with Chaplin, Lloyd and Harry Langdon, one could not begrudge Keaton’s equity for a deserved placing as potentially the flagship ideal of that short-lived art form. 96/100 Second viewing, last seen New Year's Day 1995. 24. One need only consult moments on live television where sound is momentarily lost and a presenter is accidentally rendered speechless to accept how much spectators depend upon the audio-visual dynamic for convenience. Gargantuan Must-See Movies List (Official 1001 List + Letterboxd 1001 List Combined) show list info. 92. Films include The General, Sherlock, Jr., and One Week. It's almost too astonishing, with so many consecutive dazzlers that it's hard to believe you're watching an actual film and not a Buster Keaton best-of. Acted in The General, Sherlock, Jr., and One Week They are all in the movie dream in a manner that will pave the way for "The Wizard of Oz" where we know they have no idea of how their doubles performed inside the dreamer’s mind. The difference is that Keaton’s stunt was not a trick shot; that was a real house falling down due to a movie interpretation of a cyclone, and as it collapsed there was only a few inches of leeway from the heavy structure landing on the man and seriously injuring him. In real life, though, it’s the girl who puts the pieces together and figures out who really stole the watch. The Ascent (1977) 97. 7 films watched. Likewise when he wanders to the house of McGuire’s girl whom he plans to ask for her hand in engagement, he sneakily amends the pencil-drawn price on the box from one dollar to four dollars. Crane’s sheik is shown passing the shop as well with his eyes on the same chocolates but he is cash-strapped and must save face by reciprocating the glance of the female shopkeeper who notices his dilemma. A list of 44 films compiled on Letterboxd, including 12 Angry Men (1957), Angels with Dirty Faces (1938), Annihilation (2018), The Big Sleep (1946) and Bill & Ted's Excellent Adventure (1989). Mobile site. It is debatable whether the film represents the pinnacle of Keaton’s best work, as many would choose "The General" (1927) for highest elevation, but "Sherlock Jr." is the perfect entry-point into his filmography, and also a splendid starting title for a daunted virginal viewer to experience their first film without sound. James Agee notes how ‘Keaton’s face ranked almost with Lincoln’s as an early American archetype; it was haunting, handsome, almost beautiful, yet it was irreducibly funny.’ His large, deep expressive eyes could reveal so much amidst the poker-faced visage, like an imposing statue with penetrating eyes that stare back at you from any angle. Keaton’s films were never as popular during the zeitgeist of this formalist cinema, yet many of his works have in modern times grown in reputation and stature; arguably he is the actor/director who newcomers to the Silent Era tend to find most accessible, for his films generally do not feel as dated nor completely of their time, and they still make us laugh. The Shining (1980) Rotten Tomatoes® 92%. The sight gag is double-layered, for it suggests how Buster is somewhat chaste in his relations with women and also comments on the censorship of cinema and how this prevents Keaton the filmmaker from allowing his acting proxy to imitate the final step. I recently expanded the list to 250. Film critic Noel Murray discusses this sequence in detail, positing the conceptual thought that the film is all about a geometrical rectangle (within the frame of the screen that is displaying the film). And even when it's perfectly obvious how an effect was achieved, e.g. One further acknowledgment as to how astutely practical Keaton’s thoughts on the nature of cinema’s illusions continue to be remarkably relevant. Even the trick shots that are executed to perfection are all done by Keaton himself, there are no special effects or subliminal editing cuts to achieve the desired movement of the balls. My current favourites in Letterboxd (I would add images or links to videos if I could) 1:Heimat - Edgar Reitz -The best tv series ever. 708 films watched. Back at work, he falls asleep in the projection booth and dreams that he literally steps into the movie screen, where instead of a clueless grunt, he’s a suave, sophisticated detective named Sherlock Jr., who solves the crime. [4,161 word essay] According to Buster Keaton the idea for his "Sherlock Jr." was anchored in a desire to capture the impression of a dream on celluloid, by blurring the distinctions between reality and fiction. The stunt could easily have killed the man, but he stays fully in character with his reputation as ‘the Great Stone Face’ unharmed by this single take action moment - I learn that the camera operators placed their hands over their faces at the moment of impact as the fearless Keaton remained cool and composed, keeping the faith in his margin of error accuracy. At one point Keaton uses another superimposition effect to show him dive out the window from a visible interior to a suitcase perched with a ready-made costume, and he casually saunters away without any hiccup in the accomplishment. 106. He is ‘flummoxed by a series of edits that leaves him stranded and often in perilous situation’ states Kevin Lyons. The 1001 Movies You Must See Before You Die book series but with a twist. Keaton is a lot shorter than the imposingly long-legged Crane, and although neither man has much money the slickness of Crane’s hair and attire implies a sense that he is willing to deceive an appearance of wealth. Oct Sherlock Jr. (1924) Global Flickchart Rank: #143 My Flickchart Rank: #972. 1001 Movies You Must See Before You Die (Letterboxd Edition) show list info. Most of the trick shots Keaton performs in the pool scene are just that, merely requiring months of practice to pull off. 2,630 views ... Sherlock, Jr. (1924) Rotten Tomatoes® 94%. You may watch a current motion picture with computer special effects and feel indifferent to their manufactured formation, but in a film like this one your curiosity will pique as you wonder how some of these vaudeville slapstick shenanigans were done with such magical aplomb. When he first takes aim at the bomb (grenade? (Apparently I wanted to kick off the year with a certain winner.) Failed miserably. That is true enough but it is staggering to reflect upon how Keaton still had to achieve all the dangerous stunts naturally for his onscreen perfection to be committed to celluloid. He invades the film’s diegesis because he takes exception to the Crane and McGuire characters in a romantic embrace. The film that is being projected features characters whose identities will shift until they are all portrayed by tulpa replicas of the persons involved in the parallel narrative, leaving the film within a film to advance far beyond a background decoration. His invariably high levels of skill at his job are gleaned even before his presence occurs through the panicked concern from the Crane and Connelly characters that their crime will undoubtedly be solved by this world’s greatest detective, and reinforced with the intertitle foreshadowing his appearance, labelling him as ‘the crime-crushing criminologist.’ There is a sharp contrast between the filmmaking sizzle displayed within the dream to the prior aesthetic, as Keaton moves his camera more fluidly in this mansion than was evidenced in the father’s real home, perhaps indicating how the detective does not feel stilted with absorbing the philosophy behind his detective work. Bio: I love and watch movies because it give me a short break from my life. Bio: I have been a lover of films for as long as I can remember. Buster Keaton filmed this shot in ‘Sherlock Jr.’ (1924) in reverse, with the train backing away from the road crossing 01, But he fires the cue ball into 12 other balls surrounding it, and not one of them strikes the 13 ball, though several miss it by inches. The development of the war in their lives plays through to Lincoln's assassination and the birth of the Ku Klux Klan. ), by coming across as more of a sizzle reel than a sustained comic narrative. We gathered how rich he is because an introductory intertitle informed us that the father had so little to do during the days that he hired a male companion (Erwin Connelly) to aid him with doing nothing. Not deterred, Keaton once more crosses over resiliently. Carter84 uses Letterboxd to share film reviews and lists. Like an expert magician, Keaton misdirects your eye by gesturing at the crowd just before the cut, so that we're looking at him...and he's perfectly positioned before and after, making the action appear continuous and the effect seem impossible. One in particular, in which he produces a lot of spin on a ball over a short distance must have taken much practice and perseverance to get just right for the flawless character’s gimmick. © Letterboxd Limited. Join here. With Buster Keaton, Kathryn McGuire, Joe Keaton, Erwin Connelly. 518 films watched. There will always be conflicting assessments as to who was the greatest of all the comedic clown performers during the Silent Era of filmmaking. (These films can be viewed with some inspired orchestral accompaniments to the flickering sights, as live musical counterparts often were conducted inside the movie auditoriums during a live screening.) Letterboxd Top 250 Narrative Feature Films (Dec 2020 Edition) - Page 3 show list info ... Sherlock, Jr. (1924) Rotten Tomatoes® 94%. This characteristic separates the Keaton and Crane characters. He did not set out to make something akin to surrealism, yet as we view the film almost one hundred years on from its initial release we can appreciate how Keaton’s forward-thinking, fortitudinous approach predicted the radical notion that the celluloid form of moving pictures could conjure a dreamworld of abstractions. Another comedic star of silent pictures, Harold Lloyd, wowed contemporary audiences with his daredevil stunts although he did not direct his own pictures like his main rival - Chaplin - from the period. Charlie Chaplin, perhaps the most famous to a modern viewer, frequently makes us feel more pathos and empathy than anyone else with an emotional clout and social commentary permeating, but this irks some detractors as sickening sentimentalism. This doesn't seem like a feat that even the world's greatest pool shark could manage; I watched it—again—again and again and again, and cannot for the life of me see how it's possible to deliberately engineer that result. Crane bends down to pick up a discarded cigarette and it is caught by Keaton as he throws it away in a scene that reminded me of "M" although Keaton does it to further his engrossment with the subject than because he craves a drag. ), however, it's not just that the 13 ball stays put. Incidentally, with the benefit of retrospective inspection, this is footage of Keaton legitimately fracturing his neck - only a high tolerance for pain allowed him to finish the scene after taking the fall without realising the extent of the injury. Presented are the 35 highest ranked titles from Letterboxd that are not on IMDb's Top 250. At three-quarters of an hour in length, the movie is only five minutes longer than the maximum duration boundary for shorts to qualify as Oscar possibilities in those categories, but having seen the film dozens of times I never feel like the barely feature-length running time is an issue. Mobile site. Spent most of it crying. What an ending. Or rather, the best series of films I’ve ever seen. Keaton’s penchant was for stoicism and subtlety as a comedic performance. For example, he turns up in various concealed disguises at a moment’s notice, and partakes in two of the greatest instances of cinematic trickery that will have you scratching your head as to how they were achieved. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Doubly arbitrary, of course, in that projector speed hadn't yet been standardized in 1924, which means that Sherlock Jr.'s length is properly measured in feet/reels, not via the clock. 65. Paul Schrader. Jody uses Letterboxd to share film reviews and lists. (Sorry, "A Day in the Country.") Moments later a car appears from the right side of the frame and Keaton, as Murray notes, ‘suddenly takes off into the horizon, shrinking to a dot as he disappears into the distance.’ His escape rests upon exhibiting depth in the frame and creating a path beyond the perimeters of a two-dimensional rectangle. (Apparently I wanted to kick off the year with a certain winner.) letterboxd… Seven Chances (which is one of my dozen or so favorites of all time) makes me laugh more consistently, and Sherlock Jr. "suffers," in a very negligible way (let's call it four points out of 100! Second viewing, last seen New Year's Day 1995. ... Sherlock, Jr. (1924) Rotten Tomatoes® 94%. defines his famous status. © Letterboxd Limited. Murray states how the gags are based on ‘Keaton moving on the same plane as the other characters’ like a primitive computer game where two-dimensional characters could only move along the horizontal axis from the left or right side. This gives the film its final riveting gag to leave the viewer smiling as the end title card is displayed, and it perceptively articulates how human beings tend to pluck up extra courage by imitating the larger-than-life movie stars of their escapist leisure time. Consider the act of him riding on the handlebars of a motorcycle amidst a slalom course of incoming traffic, ‘a veritable cascade of unbelievably complex gags’ (Time Out). 64. One thing I readily applaud in this film is the proactive detective work done by the main female - she solves the real-life drama simply by asking the appropriate question to the one person who would definitively know the identity of the thief. She productively does this all while the man is sleeping (i.e. 2002. A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch. Join here. Keaton masterfully orchestrated the separated locations with a single, still establishing shot so that the movie screen and the seating auditorium are both visible, but once the projectionist’s bodily components are accepted by a linear narrative, Keaton the director uses a push in camera movement from the back of the auditorium towards the large screen, which culminates with an assisting gentle zoom in a fluid motion to bring the movie/dream to a domination of the frame, and our director never once imposes a shot reverse shot to the audience out there in the dark immersed in the spectacle. This presents one of the film’s biggest laughs as he immediately follows behind the tall figure of Crane walking in synchronicity along the footpath and even clipping his heels from the very close shadowing. Keaton must make do with purchasing the cheapest chocolate box after returning cinema patrons enquire about lost property, and Keaton reluctantly hands over the cash once satisifed that the money did belong to the correct owner. It is a film he simultaneously directed and gave a leading role performance, with all of the spectacular stunts executed by Keaton himself rather than a body double. Pather Panchali (1955) Rotten Tomatoes® 97%. Imogen Sara Smith intimates in her biography of the actor/director: ‘Keaton never forces a response from the audience, never manipulates, never overplays. My arbitrary definition of a feature-length film—no less than 45 minutes—was derived specifically from Sherlock Jr.'s length, as noted in Leonard Maltin's Movie Guide; it's the shortest film I found listed there, so that's where I drew my line. Osiris66 uses Letterboxd to share film reviews and lists. Time Out calls this set piece ‘an astonishingly acute perception of the interaction between movie reality and audience fantasy, and the role of editing in juggling both,’ and certainly the editing is top-notch with Keaton’s physical body in the exact spatial position as one disparate landscape gives way to the next (very competent filmmakers can struggle to get this correct even when editing within a single location). The theatre manager (Ford West) scolds Keaton for sitting around learning the rules of this occupation with a messy floor of cinema guests’ leftover waste needing swept up in his current job. Letterboxd and IMDb Top Films - Page 3 show list info. Had to watch that at least a dozen times before finally confirming to my satisfaction that there is indeed a cut. Jean-Pierre Melville. Graham Williamson refers to it ‘as one of the first metafictional films,’ as Keaton’s dreamer pictures himself as a professional detective - the Sherlock Jr. of the title - giving him a second opportunity to solve a robbery case (once again the culprit is Crane, and the father’s hired servant is now an accomplice for good measure) and this time he is less likely to miserably fail at uncovering the true crook or be embarrassed as the pseudo-thief. Of course, since it is Keaton’s dream anything is possible and as it resides within a potent wish fulfilling urge to be taken seriously as a detective, the fact that the dreamer exists as invincible and indestructible can explain some of the incredible feats he endures. After the protagonist follows his man (from right-to-left) until being detected, Keaton ends up on the top of a moving freight train jumping from carriage to carriage left-to-right, in another exquisitely well-placed camera shot where the actor completely trusts his ability to complete the stunt without being displaced from the stationary frame of the camera’s eye. While IMDb may be famous for the Top 250, it is not the only one. ... Sherlock, Jr. (1924) Rotten Tomatoes® 94%. His directorial style often feels very assured, as if he knew exactly where the camera should be stationed as he performed in front of it with impeccable physical timing. Letterboxd is a "social network for sharing your taste in film" and has been described like "good reads for movies". He risked his life for the house-falling stunt in "Steamboat Bill, Jr.," but he doesn’t ask us to be afraid for him or impressed by him.’ That particular Keaton moment is arguably his most iconic image in a reel of highlights, just as Lloyd’s desperate clinging to a clock tower in "Safety Last!" I can only assume that Keaton filmed it like 200 times and finally got a take that was miraculously perfect. ), by coming across as more of a sizzle reel than a sustained comic narrative movie without the score. And crew credits, including actors, actresses, directors, writers and more train passes below his feet is. For relentless awesomeness off the Year with a certain winner. 94 % man closely pool scene are just,... Like `` Good reads for movies '' problem can be solved through simple geometry, ’ explains Murray as as. Reel than a sustained comic narrative it would be a mistake to engage with a certain winner. Ku Klan... 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Letterboxd Edition ) show list info that the 13 ball stays put Flickchart... By coming across as more of a water pipe as the train passes below feet... Your man closely he invades the film 's most famous trick shot involves Keaton jumping into a small suitcase disappearing., Jr. ( 1924 ) Rotten Tomatoes® 88 % and rating films Keaton most. And IMDb Top films - Page 3 show list info by film experts, the Bad and Google... Did not mimic the popular competitors who attracted a wider fanbase, but carved out his own unique evolution! I thought it 'd be interesting to make a list compiling the 250 highest rated films on the site determined! Achieved, e.g 44 minutes. ( 1955 ) Rotten Tomatoes® 88.. Described like `` Good reads for movies '' diegesis because he takes exception the... After this disappointment Keaton continues to read down the list and takes the fifth instruction to heart: your. Long as I can remember show list info Keaton jumping into a suitcase! 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Having been utterly flummoxed by this gag 25 years ago, I determined...

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